Дата добавления: 30.04.2012
Размер файла: 11,5 KB
The sitter’s individuality is vividly expressed in this portrait. One can easily follow the gentle and even character of the young woman and the outstanding searching, restless personality of her husband. The artist managed to create the impression of spiritual relationship In spite of the difference of characters. The colour scheme of this canvas is very beautiful. The prevailing tones are red, golden and brown.
During the 18th century the truly national school of painting was created, William Hogarth was the first great English painter who raised British pictorial art to a high level of importance. Hogarth (1697—1764} wasn’t a success as a portrait painter. But his pictures of social life which he called «modern moral subjects» brought him fame and position. Among his favourite works are six pictures united under the title «Marriage a la Mode.» This famous series is really a novel in paint telling the story of the marriage of an earl’s son and city merchant’s daughter, a marriage made for reasons of vanity and money. Despite the satirical, often amusing detailes, the painter’s purpose is serious. He expects his pictures to be read and they are perhaps full of allusions. At the same time Hogarth remained an artist and passages especially in «Shortly after the Marriage» show how attractively he could paint. The Free handing of the «Shrimp Girl» Is combined with cockney vivacity. The girl is brushed onto the canvas in a vigorous impressive style. As a painter Hogarth was harmonious in his colouring, very capable and direct in his theme and composition. He painted many pictures. He is well known as a humorist and satirist on canvas.
In the second half of the 18th century narrative and satirical themes lost their leading role in the English art. The ruling classes tried to show in art a confirmation and glorification of their social position. The most popular form of painting became ceremonial portraits of representatives of the ruling class. Sir Joshua Reynolds was the most outstanding portraitist of the period. In December 1768 the Royal Academy was founded and Reynolds became its first president. He created a whole gallery of portraits of the most famous of his contemporaries. He usually painted his characters in heroic style and showed them as the best people of the nation. As a result his paintings are not free of a certain idealization of the characters.